Light Lens Lab 50mm f/1.2 ASPH "1966"
initial thoughts and raw images
I recently picked up this recreation of a classic 1966 lens originally produced by Leica. This modern version has been meticulously crafted by Light Lens Lab using the same traditional techniques and attention to detail—something I truly appreciate. I was looking to add a characterful lens to pair with my M body, and this one certainly fits the bill.
I took it on a recent woodland trip to Scotland for some proper real-world testing and thought it might be helpful to share the results here, in case you're considering whether this lens is right for you.
To be clear, I have no affiliation with Light Lens Lab. A few fellow photographers had asked for my thoughts, and rather than simply describing the lens, I believe it’s better to let the images do the talking.
All photos are straight out of camera RAW files, with no edits or corrections—shot on the Leica M11-P Safari, mostly wide open at f/1.4.
Enjoy the gallery—and feel free to click any image to enlarge.
— Adrian
Next a selection of lens characteristics
A gallery of lens reaction images from the sun and what you can expect, these images were intentionally shot to capture the sun flares and show what the lens characters are
Click on image to enlarge
Landscape / woodland selection
A gallery of images to show the results of woodland shots taken wide open and the results to expect
Click on image to enlarge
Initial Impressions and Reflections
Let me begin by saying I’m neither a lens reviewer nor a technical shooter. My approach is grounded in real-world use—taking the lens out into the field, learning its character through experience, and using it to produce the kind of images I envision.
This particular lens is capable of delivering truly beautiful results. At times, it renders scenes with a dreamlike quality; at others, the visual effects can verge on distracting. That said, I was fully aware of its characteristics when I acquired it.
I opted for the brass silver chrome version, which comes in at a hefty 632 grams—noticeably weighty for an M-mount lens, so do bear that in mind. There is, however, a lighter aluminium version available, weighing in at a more manageable 450 grams.
The lens is supplied with a hood, a neutral density filter (regrettably black, though that’s a minor gripe), and a quality lens pouch. One curious point: the lens hood does rotate once fitted and doesn’t lock into place. While it stays on securely, the free rotation does feel a little odd.
Build quality and handling are excellent—on par with genuine Leica glass. In blind tests alongside my 28mm Leica Summilux, the Light Lens Lab 50mm holds its own impressively. That, in itself, is high praise for LLL.
I believe this lens is currently sold out, though I have spotted the occasional unit for sale second-hand or through third-party resellers.
I’m thoroughly enjoying the creative process this lens invites and hope these early impressions and sample images prove useful to someone out there.
Feel free to get in touch via Instagram or elsewhere if you have any questions.
Adrian